Javier Ignacio takes the stage in Company, the famed musical set in NYC, in Los Angeles

From Caracas to NYC via Wichita and Wichita State, Javier Ignacio is claiming his own corner of the musical theater sky.

As Peter in the current North America touring company of Company, the Broadway comedy with music and lyrics by Stephen Sondheim and book by George Furth, Javier Ignacio fs ’07 performs on stages almost literally half a world away from where he spent the first 10 years of his life and learned to love all things musical.

“My mother, Ana, as a single parent with dreams of providing a better life for us, brought my brother, Daniel, and me to the States when I was 10,” says Ignacio, who’s on the road with Company, which he also did on Broadway from 2020 to 2022. He’s finishing up a run at Pantages Theatre in Los Angeles before striking out for Las Vegas, Spokane, Sacramento, Dallas and then, in October, Fort Worth’s Bass Performance Hall. “About my life in Venezuela, I mostly remember small details — my relationships to my grandparents, aunts and uncles, and some of the schools I attended. Music was a big part of my life. My grandfather was a singer/songwriter who performed on the radio, and my mother studied opera and sang in a prestigious choral group called La Schola Cantorum de Caracas. When I was just a toddler, my grandfather noticed while flipping through channels on the TV that I’d run in to see what was happening. My love for music was undeniable. But it wasn’t until moving to the States that I began any sort of formal music training.”

Photo by Aria Jackson for The Shocker

With family who had immigrated to the United States and settled in Wichita earlier, it was natural for him and his family to follow that path. Javier went to Caldwell Elementary, Curtis Middle School and high school at Southeast, where he sang in the choir, played viola in the orchestra and auditioned for his first musical, the comedy Once Upon a Mattress. “I completely fell in love with everything drama,” he says. “But I didn’t yet realize this was something one could pursue as a career.”

That changed after he came across an ad for Music Theatre of Wichita’s apprentice program. The summer after his freshman year at Southeast was the first of many he spent working alongside professional stage designers and costumers, actors and dancers. “Seeing their passion and dedication for storytelling through music” is, he says, what lit up his own determination to someday take the stage as a professional. But first, he knew he needed to continue to hone his talents and learn the skills and techniques that would offer him the best chance of gaining a toehold in such a famously competitive industry. The next step was college, specifically Wichita State’s School of Performing Arts, but money was short. As it turned out, it took the efforts of a cadre of friends and supporters from both inside and outside the world of musical theater to help clear some of the hurdles in the road ahead of him.

A BAND OF ANGELS

“All along the way,” he says, “my family was juggling a very long and intense immigration battle. As things in Venezuela became more hostile, our case became increasingly delayed and complex. I’m forever grateful for a community of people — angels, as I like to think of them — who stepped in to help when we most needed them. Wayne Bryan, Sabrina Vasquez, Nick Johnson, Linda Starkey, Jim Rhatigan and Bob Scott are but a few of those angels who, to this day, I credit for much of my success.”

James J. Rhatigan, WSU senior vice president and dean of student affairs emeritus, remembers the first time he saw Ignacio perform. “I met Javier, who was a senior in high school at the time, after a performance at the University Congregational Church,” Rhatigan says. “Bob Scott, the choral director at the church, had called me to recommend him for a scholarship. I remember sitting in the back row and being very impressed with Javier, who is an outstanding, expressive singer and actor — a complete performer. The university awarded him a scholarship.” The performance was of Pippin, and it wouldn’t be the last time Ignacio would impress with his singing of the musical’s “Corner of the Sky,” a song about finding one’s way in life.

The next three and a half years in Wichita were fantastically full ones for Ignacio, who in addition to his studies and stage experiences at Wichita State continued his affiliation with MTWichita under the direction of Wayne Bryan and racked up credits in such roles as Mereb in Aida, Rocky in Damn Yankees and the Mayor of Whoville in Seussical. As a WSU performing arts student, he says his most memorable experiences include “getting to play Pippin in 2005 when the production was selected to be performed at the regional Kennedy Center American College Theatre Festival in St. Louis, playing Gordo in the musical A New Brain, dancing with WSU’s Alithea Mime Theatre and taking my first trip to NYC with Alithea’s director Nick Johnson and Sabrina Vasquez to perform at the United Nations.”

A COMPANY OF SHOCKERS

“Javier has such charisma on stage. He has the most wonderful inner spotlight that just radiates sweetness and authenticity. It was so special to me to have him back on campus for my retirement party in 2021. He sang ‘Corner of the Sky’ from Pippin.”

LINDA STARKEY ’90, WSU School of Performing Arts director emerita

Linda Starkey ’90, member of the Mary Jane Teall Hall of Fame and recipient of the Kennedy Center American College Theatre Festival Gold Medallion, took her final bow as WSU’s performing arts director in 2021 after 40-plus years at Wichita State. In that time, she says, her strongest sense of accomplishment has come by simply supporting students, including Ignacio. “Javier has such charisma on stage,” she says. “He has the most wonderful inner spotlight that just radiates sweetness and authenticity. You can’t teach that to students. All we can do as educators is try to help them grow into their talents.” And, in Ignacio’s case, stand by as steadfast supporters of him and his family in their ongoing immigration difficulties.

In his final semester at Wichita State, in November 2007, Ignacio had to leave his university studies to attend to family matters. “I wasn’t able to return to finish my degree, but instead continued to work, finding much success. I give credit to my instructors at WSU as well as my mentors at MTWichita.”

Ignacio has lived in New York City for over 15 years now. He has worked on Broadway, off-Broadway and done Shakespeare in the Park. He’s been in Broadway national tours, including the 2016-17 tour of Into the Woods, in which every character plays an instrument. He played the viola. “Touring can be difficult at times — the long travel days, being far away from your loved ones, staying fit and healthy despite the different climates and regional allergens,” Ignacio says. “But you also create incredible bonds with your cast and crew and get each other through it — you grow.”

When not on tour, Ignacio says he enjoys spending more time with his family, his boyfriend, Hansel, and three dogs. “My mother and I live together with our two Puggles, Maia and Flint, and my brother and sister-in-law, Alejandra, are close by with our other Puggle, Scout,” he says. “Life as an actor in NYC can be hard and exciting and beautiful, and it’s the people you surround yourself with that enhance the experience. Some of my dearest friends in the city came from my time at WSU and MTWichita. I’ll just mention two: Julius Thomas III and Taurean Everett, whom I adore and admire and am so proud of their success. It’s always fun to come together and remember our time as WSU students and celebrate our journey. But we’ve also come together in times of struggle to lift each other up because one of the hardest aspects of being a performer is that our career paths aren’t linear. Every contract has an end and you have to figure out the next step. That’s scary but also exciting – you learn to use all your gifts.”

Photo by Jonathan X for The Shocker

Thomas, who was Leading Player to Ignacio’s Pippin in WSU’s 2005 production of the musical, describes his friend as being “one of the finest humans I know in this life. Javier is my brother on stage and off, for life. If he were just a kind human, that would be enough. But he’s also an incredible artist. The mark he leaves on this world is undeniable.” It was Thomas who sponsored Ignacio in his final successful application for U.S. Residency. His green card came in November 2023, 28 years after his own arrival.

Company’s tour comes to a close in October, and Ignacio is considering what might be next. TV/film work? Voiceovers? Teaching/coaching? All he knows for certain is that he’ll continue, he says, “to stay open and curious for what new adventures come my way.” He knows, too, he can always count on his band of angels – and the company of Shockers.

James Gross ’74 and his “Chapel” are featured

A native of Wichita, James Gross ’74 is a prolific postmodern artist noted for his abstract painting and geometric lithographs. He often incorporates found objects – leaves, wood or pieces of metal, cloth or paper – into his paintings.

After earning an MFA from Wichita State, he relocated to New York, where he became a studio assistant to Robert Goodnough, an abstract expressionist, and had 12 original artworks exhibited at NYC’s Guggenheim Museum. He moved back to his hometown and broadened his art career to include teaching art history at Butler Community College and painting at Mark Arts.

His work is in public collections of museums worldwide, including the Museum of Modern Art and the Whitney Museum of Art in NYC, the British Museum in London, the Bibliotheque Nationale de France in Paris and the Smithsonian American Art Museum in Washington, D.C. His art  – including “Chapel,” shown here – is also held in the U.S. Department of State’s Collection of Art in Embassies and has been displayed at U.S. embassies in Beijing, China, and Vienna, Austria.

“Chapel,” archival inkjet print, 17.25 x 14.25 inches, U.S. Department of State’s Collection of Art in Embassies“Chapel,” archival inkjet print, 17.25 x 14.25 inches, U.S. Department of State’s Collection of Art in Embassies

Alumni launch Wichita-based arts and culture newsroom

With funding from the 2023 Wichita Foundation Info Challenge, two alumnae and longtime friends Teri Mott ’99 and Emily Christensen ’14 launched the SHOUT, an independent newsroom covering arts, culture and community in Wichita’s metro area.

A familiar face in local theater, Mott is communications manager at WSU’s Ulrich Museum of Art. Christensen, a former WSU College of Fine Arts staff member, is a noted journalist and arts writer whose credits include being a 2022 recipient of an Andy Warhol Foundation writing grant and a 2020 fellow of the National Critics Institute. As communication professionals and members of the local arts community, the two recognized a common challenge faced by arts organizations of all sizes in disseminating event information and identified the need for a centralized channel. “What we heard over and over again is that arts organizations are desperate to get the word out and they’re not sure how,” Christensen says. “There’s not one central place that people go to find out what’s going on.”

They began brainstorming how to set up and distribute a monthly arts calendar supported with articles about theater, visual art, culture and community. The Info Challenge grant, Mott explains, equipped them with the tools they needed to get the SHOUT off the ground. “We’re one of three micro newsrooms selected in 2023 as part of the Info Challenge, which is an open call for independent news ventures to address information gaps in underserved communities,” she says. Each newsroom received $30,000 from Press Forward Wichita at WF to jump-start their operations plus a two-year membership to the Tiny News Collective, which assists local news-gathering operations with resources and networking. Since launching the SHOUT in April, they have over 600 subscribers and have highlighted more than 1,000 local events in Wichita and surrounding communities.

Christensen and Mott are especially attuned to the importance of highlighting events by creators with limited resources. “Some of the coolest things are being put on by people who don’t have a marketing person, or a gigantic budget,” Christensen says. “We want to make sure those are highlighted.” Their inclusive approach ensures that both established venues and emerging artists have a platform to promote their work. They are also actively engaged with the Wichita Arts Community Forum, gathering insights and suggestions from peers on ways to enhance their platform. Also, they say, being in contact with other Tiny News newsrooms has helped them develop a strategy to streamline event coverage. So far, they have published reviews and stories by 13 freelance writers and photos by five local photographers.

“We share a passion for the arts, a commitment to accessibility and a certain level of awe at the exceptional talent we see all around us,” Mott and Christensen say. And they invite everyone to stay in the know on all the latest arts happenings in and around Wichita by subscribing to the SHOUT.

Two high-profile Shockers meet in Los Angeles

Two Wichita State alums, Javier Ignacio fs ’07 and JJ Jonathan Jackson ’80, met each other earlier this month in Los Angeles – at Hollywood and Vine, to be precise, near the Pantages Theatre where Ignacio was performing as Peter in a national touring company production of the musical comedy Company. Ignacio is now off to Las Vegas for the show’s next stop, and Jackson is focusing on directing and producing the Esports Awards ceremony set for August 24 in Riyadh, Saudi Arabia.

The two Shockers carved out some Friday afternoon time from their hectic schedules for a photo session for their alma mater’s The Shocker magazine. The next issue, slated for distribution in September, will feature Ignacio and his performing arts career, which took off on Wichita stages. Photography by Jackson and his daughter, Aria, will accompany the article. (It’s Aria Jackson who snapped the photo here.)

Jackson – a multi-Emmy winning director and producer whose credits include directing episodes of Jimmy Kimmel Live!, NFL Sunday Ticket: Red Zone, E! Live for the Red Carpet, Chasing the Crown and many more – was profiled in the most recent issue of the magazine. That winter|spring issue also carries a photo taken by Jackson in 1978 during his days as a WSU student. The photo of a 1969 Lotus 61 Formula Ford race car and its owner Tim Hellman ’80 and two of Hellman’s friends is one in a series of black-and-white #Streetwalking: Wichita shots that Jackson has taken through the years and archived online.

Jackson’s #Streetwalking images now include Ignacio at Hollywood and Vine. Originally from Caracas, Venezuela, where his grandfather was a well-known guitarist and vocalist, Ignacio calls New York City home when he’s not on the road performing. He applauds Wichita and Wichita State for launching him as an actor, singer and dancer. “I give much credit to my instructors at WSU,” he says, “as well as to my mentors at Music Theatre Wichita, for my success in the industry.” Ignacio has worked on Broadway in Side Show (2014) as the famed escapologist Harry Houdini and at some of the most prestigious regional theaters and venues in the country, including the John F. Kennedy Center for the Performing Arts in Washington, D.C., the Actors’ Playhouse at the Miracle Theatre in Coral Gables, Fla., and at California’s La Jolla Playhouse and Pantages Theatre, where Company closed yesterday, on August 18.

Shocker grad writes the Wichita Blues

Writer, musician, scholar and retired postman Patrick J. O’Connor ’89 utilized 25 years of fieldwork and interviews with 19 Wichita blues performers to write Wichita Blues: Music in the African American Community. Published by the University Press of Mississippi, the book celebrates the distinct sound and history of Wichita’s regional blues tradition.

Always drawn to the blues and its “artistry of storytelling,” O’Connor, a multi-instrumentalist (piano, guitar), completed his master’s degree in communications at WSU with a final survey project on the blues, differentiating urban and rural styles. In 1996, he conducted a regional blues study for the Kansas African American Museum and served as director for the museum’s traveling exhibit of “The Tradition of Blues in Wichita: African Americans Tell Their Stories.” He also took part in the Kansas Historical Society’s 1996-97 Folk Arts Apprenticeship Program and was apprenticed to bluesman Charlie Phillips better known as Harmonica Chuck (1935-1998). And in 1998 his collection of oral history recordings, performance recordings and photographs of prominent blues musicians in Wichita was worked into the book Wichita Blues: Discovery and published by the Wichita Blues Project. The collection resides permanently in WSU’s University Libraries Special Collections & University Archives.

Drawing on all of those experiences and materials, O’Connor focuses on the evolution of the blues from the 1930s into the 1960s and beyond in Wichita Blues: Music in the African American Community. By showcasing blues musicians and their personal stories, the book traces African American history in Kansas and details how migration from Oklahoma, Texas and Arkansas, in particular, brought so many varied blues artists to the Wichita area, enriching the city’s musical traditions across racial divides and generations.

A native Wichitan, O’Connor has taught anthropology, history, communications, technical writing and literature at several area universities, including Wichita State, where he first enrolled as an undergraduate in 1966. He recalls, “I got a chance to work on the Sunflower as a freshman, with no experience in high school journalism.” Unable to finish his college studies then, he set off on a journey that took him across the country with stops in Los Angeles (to play in a rock band), San Francisco (for the Summer of Love in 1967) and Cleveland (to work at La Cave, which began as a coffeehouse folk club and became an influential rock ’n’ roll club).

In 1971, he continued his journey, this time to England, where he took a 1936 National steel guitar and played the country blues. After returning to the States, he joined the U.S. Postal Service in 1973 as a letter carrier. In 1983, he returned to WSU, completing his graduate degree in 1989. “I worked as a letter carrier during this time and after graduation,” he says. “My route was just south of campus, which meant both students and faculty lived on it. I was Wilner’s, Duerksen’s and Jim Kirby’s mailman in the 1970s and 1980’s.” That’s George Wilner, the namesake of Wilner Auditorium; Walter Duerksen, for whom Duerksen Fine Arts Center is named; and the founder of Kirby’s Beer Store.

“Later on, researching the blues,” O’Connor continues, “I taught a non-credit course at WSU on the subject which was picked up by the anthropology department. So, I went from Wichita State dropout to university lecturer in the short span of 25 years. I feel WSU offers opportunity to many and varied students, with the city a suitable backdrop.”

Wichita Blues with a foreword by noted ethnomusicologist David Evans features O’Connor’s interviews with 19 of the city’s most influential blues artists; among them are Harmonica Chuck, Erick Robinson, Glonquez Brown, Berry Harris and Henry Cole. The book is available now as an ebook and will be out in hardcover and paperback in September 2024.

Shocker sculptor’s neon aquarium lights up a corner of LA

There’s a Starbucks on the corner of Olympic and Sawtelle boulevards in Los Angeles. You can’t miss it. Not because of the coffee shop’s own iconic green signage, but because of the neon aquarium that seems to swim above it. The artwork is by Michael Flechtner ’84, who says, “The fish swim up through the water, the jellyfish fade and brighten, the octopus waves his arms, the turtle flaps his appendages, and the sharks and dolphins fade in and out.”

Flechtner Michael
Flechtner Michael

Based in Van Nuys, California, for many years now, Flechtner hails from a small town in Ohio, where he first found fascination in drawing and painting, as well as electricity, mechanical objects, colored light, magnetism, fire and water. He went on to study sculpture and painting at Columbus College of Art & Design and then earned an MFA from Wichita State. While at WSU, he says, “I discovered my roots as an artist. That is, after learning theory, technique, history, materials and so on, I realized my art-making process stemmed from childhood, going through my grandmother’s junk drawer, finding string, pulleys, batteries, screws and wires and trying to put them together in some kind of machine or structure.”

Working in his studio, Flechtner looks like a scientist in a chemistry lab. Glass tubing is everywhere, stacked for future use or laid out for bending into shapes of sea life, say, or aircraft or fantastical machines, each shape then brought to colorful life with the insertion of neon and a deftly chosen mix of other gases and elements. Normally colorless, the noble gas neon gains color after electricity is applied. “It’s red-orange,” Flechtner says, explaining that every noble gas has its own characteristic discharge color. Argon, for example, with a drop of mercury added for brightness, glows blue.

Flechtner’s neon creations range from 2-D non-animated art to 3-D animated art and can be spotted in such far-flung places as Tokyo, Minneapolis, Ohio and Alaska. In 2010, he was commissioned to design a postage stamp for the USPS. Neon fireworks was the visual subject he chose for the forever Celebrate! stamp. Over the course of his 30-plus years as an artist specializing in neon, this Shocker has depicted just about everything: jellyfish, dolphins and sharks, airplanes, cars, cameras, cats, cows and fireworks.

What might be next?

“That danged WuShock always comes to mind,” he says. “I keep thinking what he’d look like animated in neon!”